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Demoni da vinci online

demoni da vinci online

At our studio, we have a complete history of Da Vinci's work in a book that is about the size of a small Volkswagen which we used extensively for reference.
My personal favourite title sequence vincere casa e un gioco is for The Fall.
That was one of the first scenes that I created and up to that point I still had a few doubts about whether or not the execution was going to work.
We are a small design studio based in London, consisting of three directors-slash-designers: Hugo Moss, Tamsin McGee, and myself.Da Vinci's Demons illuminates new facets of his feverishly inventive and enigmatic mind.Da Vinci's Demon's scripts and an early trailer so we knew the series was going to be exciting and different.They were in the early stages of filming in Swansea at the time.But the last frame I completed pretty much took as much time as the first!However, saying that, I have perfected my Anne Hathaway victory sob just in case that day ever comes.View the credits for this sequence Director: Paul McDonnell Production Studio: Huge Designs Art Direction: Hugo Moss, Tamsin McGee Lead Illustrator: Nathan Mckenna Illustrators: Maria Arnal, Vanessa Samuels Composer: Bear McCreary Client: starz Related summary summary interview Subscribe to Art of the Title Art.And as for Da Vinci's Demons: what was the first meeting like?Nathan Mckenna was an invaluable asset on the job.The idea came from the man himself!Titles, at their finest, are stand-alone films in their own right, and therefore should receive accolades of the same calibre as the films they are introducing.Which tools and software did you use to put it all together?Please don't make fun.I worked at 12 frames per second, printed out each frame, sketched over it with pencil, then scanned the sketches so I spent many hours staring into the hypnotic lights of a scanner.This sparked the idea of hiding segments of the logo throughout the animation and then playing our sequence backwards at its culmination to pull out the hidden shards.Da Vinci's notebooks were all written in mirror and, in response to this, Bear McCreary created a piece of music that is the same if played backwards!Primetime Emmy Award for Outstanding Main Title Design.Pitch Animation, how long did it take to put the sequence together?Paul McDonnell manipulates the hand-drawn illustrations to remind us of da Vincis ambidextrously rendered triumphs and musings while suggesting that there's more to the prolific artist and polymath than even he may have known.
The recognition as a craft at that level would be nice.
View 3 images, title sequence pitch v1, 09/27/12, what were your original concepts for the sequence and how did they develop?